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Dafina Georgieva
About the book
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| The book is an
intriguing series of
observations and
self-investigations of
personal individuality. Wise
questions with and without
answers about life and her
place within it. Spontaneous
revelations about all
matters which arouse her
curious and playful
attention. But the crowning
glory of her unique and
far-from-childish analyses,
self-analysis and lyrical
diversions — are the
wonderful flashes of a
multifaceted poetic talent.
The inner world of a child,
“documented” from her
seventh to her fourteenth
year. An independent and
morally refined territory.
The kingdom of her freedom.
Place for relaxation and
thought, for the
clarification of the
disorder of thoughts and
feelings.
A time for
creation and the
hyper-active maintaining of
friendships with her school
friends. Suffering, joy,
excitement. And last but not
least, a place and time for
laughter and entertainment.
We learn about everything
which has touched her
artistic nature |
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Uliya Ognyanova |
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Dafi possessed the gift of amazing perception and penetration. A childish feeling for the world with the playfulness of naivety, amusing and curious images mixed with revelations, achieved usually at a more mature age (if at all) with the accumulation of experience and wounds.
Professor Elka Konstantinova
said:
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What
Dafi has created will remain
in our national culture as a
bright document of the
spirituality of a talented
child from our anxious age.
The drawings and texts in the book radiate shards of light from a bright childish soul which reveals itself to us in its entirety. The author talks to us without any pretence or pose; she talks openly, directly as dictated by her inner voice. It resembles nothing written specially for children. Dafi is like Alice in Wonderland and like Alice, she is not surprised by the inexplicable and improbably, because she accepts that everything is possible.
Her entire
essence is suffused with
dreams, love and with a
strange sense of sadness. In
Dafi’s work there is an
intense intellectual life –
both real and imaginary but
crystal clear. Her freely
expressed and heartfelt
confessions and her wise
revelations are a result of
a childish game of
imagination but also really
experienced feelings. She is
not looking for images in
her words; they appear
spontaneously and
inexplicably even to herself
and are expressed in an
inimitable and touching
manner. |
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The great Bulgarian poet, Valeri Petrov, remarked:
Art historian Petar Zmiicharov commented on Dafi’s drawings:
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I was
quite astonished that
everything written and drawn
by Dafina is “pro domo sua”. It is a world which we given permission to enter not by Dafina but by circumstances. And she wrote in her diary that if it wasn’t for circumstances there would not have been a diary by Anne Frank.
When I read
that (something which not a
single influential critic
has not dared to speak out
loud) I shivered. Not
because of the anxiety of a
“fatal premonition” but the
amazing, mature, self-irony
of this thirteen-year old
child. Because every drawing
which accompanies, or
precedes, the essays and
verses might shame even a
sixteen-year old, mature and
wise Matisse. Because she
achieved the expressiveness
of her profound and deep
black eyes at the tender age
of thirteen. I hope that
they have met and are
together painting the
divine-made chapels of the
clouds. |
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She had not reached the age of thirteen and she was impatient to know the replies to the most fateful questions for man and mankind: “What is the meaning of human life?
What is the soul made of?
What is it worth living for
And what is worth dying for?”
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About Dafi
and Dafi's book: |
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